Une redéfinition du féminisme africain dans Femme nue, femme noire de Calixthe Beyala, romancière à contre-courant

This article examines the issues of literary impudence and homosexuality so much repudiated by African feminist theorists in Calixthe Beyala’s erotic novel, Femme nue, femme noire. It reflects on the pertinence of using African feminist ideologies in the criticism of Beyala’s fictions considering the fact her novelistic themes run contrary to the African feminist postulation where homosexuality, sex work and other transgressive tendencies constitute a strange and imported phenomenon. This article analyses the radicalization of African feminism through a close reading of Calixthe Beyala’s Femme nue, femme noire by highlighting recourse to subversion as a radical tendency in Beyala’s writings, which consists not only subverting the status quo through engaging in taboo-related discourse but also defending the sexual independence of the modern African woman as a form of emancipation. It concludes that the novel exhibits a new African feminism which is neither adapted to the collective feminist ethics nor to the African literary canon but to the individual feminine reality aimed at the total emancipation of the African woman.