Sizes

Abstract

This chapter introduces a range of chamber-music ensembles and repertoire by discussing examples of increasing size, from one player to more than nine. It questions whether one or two musicians constitute a chamber-music ensemble. The emergence of the trio sonata, string quartet, and wind quintet is explained in historical context. Larger ensembles allowed composers to experiment with different combinations of instruments. Certain works that include a singer are argued to constitute chamber music. The upper limits of chamber music are tested by larger ensembles with one player per part and, finally, by the chamber orchestra.