Multipla Gallery (1972–2011) and the History of Multiples in Brazil: An Affaire de Femmes

This article examines the contribution of the Multipla Gallery—founded in 1972 by two women, Teresa Nazar and Edla Van Steen—to the introduction of a new artistic modality in Brazil: the multiples. The “motherhood” of this artistic modality was, at the time, attributed to a third woman: the French gallerist Denise René. This case reveals female presence and agency in the Brazilian art market during the 1970s, a period when women played a significant leading role. The feminization of the role of gallery owners is a topic that has yet to be thoroughly explored in Brazil from a historical and sociological perspective. The third part of the article also aims to discuss, based on the case of Teresa Nazar, the extent to which such female agency was not completely immune to gender inequalities.