Haptic and Embodied Experience in Ottoman Industrial Heritage: An Exploratory Study at Tophane-i Amire

Industrial heritage sites have predominantly been examined through visual, material, and conservation-oriented frameworks, while the haptic and embodied ways in which contemporary users experience reused industrial heritage environments remain comparatively underexplored. Focusing on Tophane-i Amire Culture and Art Centre, a historically significant Ottoman industrial heritage site repurposed as a contemporary cultural and artistic centre, this study examines how material contact, bodily movement, and tactile encounters contribute to the sensory heritage experience. Rather than proposing haptic sensewalking as a new method, the study uses an existing sensewalking approach in a haptic-centred way within the specific context of an Ottoman industrial heritage site undergoing adaptive reuse. Sensory data were generated through in situ walking observations, embodied sensory narratives, tactile descriptions, researcher field notes, and post-walk reflective accounts. The findings suggest that, within this haptic-focused protocol, participants did not describe the site merely as a visual-historical object. Instead, they articulated Tophane-i Amire as an embodied haptic environment in which rough stone textures, participant-perceived coldness and material heaviness, spatial thresholds, uneven walking surfaces, and movement-based encounters made architectural space bodily noticeable. The study does not claim that ordinary visitors naturally prioritise haptic experience; rather, it examines what participants articulated when their sensory attention was deliberately oriented toward tactile, thermal, kinaesthetic, and embodied aspects of the reused industrial heritage environment. The article makes two main contributions. Empirically, it shows how participants described haptic experience at Tophane-i Amire through encounters with rough stone surfaces, participant-perceived thermal qualities, thresholds, floors, and bodily movement. Conceptually, it interprets industrial heritage not only as a visual or material object but also as an embodied haptic environment in which historical meaning is sensed through touch, temperature, movement, and spatial negotiation.