From Placelessness to Critical Regionalism: Evaluating the Urban Cultural Sustainability of the Chengdu New Century Global Center

Under globalization, architectural forms, spatial logic, and consumption experiences have become increasingly homogeneous, making placelessness particularly evident in large-scale commercial complexes. Establishing meaningful connections between globalized commercial spaces and local culture, urban memory, and everyday life has consequently become an important issue in research on architectural cultural sustainability. Guided by critical regionalism, this study takes placelessness as its point of departure and cultural sustainability as its evaluative perspective. It develops a two-level analytical framework comprising architectural analysis and user perception evaluation and applies this framework to the Chengdu New Century Global Center. Architectural analysis examines the building’s objective characteristics in terms of spatial image, functional organization, environmental setting, and cultural expression. User perception data were collected through a questionnaire survey and semi-structured interviews, followed by descriptive statistics and comparative analysis across four corresponding dimensions: spatial, functional, environmental, and cultural perception. The results indicate that the building’s megascale form, contemporary architectural appearance, and multifunctional organization contribute to higher levels of spatial and functional perception. Environmental perception is also relatively positive, although deficiencies remain in resting facilities, route organization, and detailed spatial experience. By contrast, cultural perception is substantially lower than the other dimensions. The marine theme, exoticized settings, and entertainment-oriented imagery are more closely associated with a globalized consumer landscape than with the spatial translation of Chengdu’s local culture, urban memory, and everyday life. Consequently, the building’s thematic identity has not been effectively translated into users’ recognition of place-specific characteristics, suggesting that the production of commercial complex space continues to prioritize consumption efficiency over cultural expression. By operationalizing the critical regionalist concept of sense of place as an empirically assessable analytical tool, this study extends its applicability to large-scale commercial complexes and provides a diagnostic framework and practical strategies for enhancing their cultural sustainability.