Cinematic representations of Melanesian communities in Southeast Asia

Abstract

This study aims to analyze the representation of Melanesian communities in Indonesian films made and distributed since the first decade of the millennium. Stuart Hall’s cultural studies perspective is used as a methodology for both the theoretical framework and the analysis procedure of eight cinemas as data. The result shows that film text emphasizes cultural elements, such as language, beliefs, values, and rituals. Physical cultural elements fill the entire cinematic narrative, such as architectural heritage, artifacts, equipment, clothing, food, and natural environment. Sociopolitical analysis finds the dynamics of power, narrative views, and stereotypes of Melanesians. The visual text highlights the struggle of minorities to gain recognition and equality in welfare, education, good health, and self-existence. Meanwhile, the visual narratives reveal how struggles unfold under the weight of entrenched stereotypes and the structural domination of major ethnics — particularly Javanese and Malay — as the core of the majority culture.