DOI: 10.66106/ylaba6.20250205 ISSN: 3105-7586

新质生产力驱动下大运河景观艺术的范式嬗变与发展路径——以德州段为实证样本（Paradigm Evolution and Development Path of Grand Canal Landscape Art Driven by New Quality Productive Forces: An Empirical Study of Dezhou Section）

李岩斌 Yanbin Li
Show PDF Cite
Abstract：As an iconic linear cultural heritage of Chinese civilization, the landscape art system of the Grand Canal has precipitated the millennium-old context of water transport civilization, regional aesthetic paradigms and the essence of traditional craftsmanship. In the era when new quality productive forces have become the core driving force for high-quality cultural development, the landscape art of the Grand Canal is undergoing a fundamental paradigm evolution from solid heritage protection to living cultural inheritance, from single-dimensional visual aesthetics to multi-modal immersive experience, and from designer-led creation to multi-subject collaborative co-creation. Taking the Dezhou section of the Grand Canal as the empirical research object, based on the interdisciplinary research perspective of art theory and design science, this paper systematically sorts out the historical aesthetic dimension of the Grand Canal landscape art, deeply analyzes the structural dilemmas such as the dissolution of aesthetic value, the fracture of historical narrative and the absence of core subjects in the current development, explains the deep reconstruction logic of new quality productive forces on the ontology, epistemology and methodology of landscape art, and constructs a practical framework for the high-quality development of Dezhou Grand Canal landscape art from four dimensions: ecological aesthetic expression, cultural narrative translation, multiple co-creation mechanism and global art ecology. It aims to provide replicable theoretical references and practical paradigms for the contemporary artistic transformation of linear cultural heritage.

More from our Archive