DOI: 10.1515/iasl-2024-0015 ISSN: 1865-9128

#KritischesWeißsein: Friedrich Dürrenmatt

Melanie Rohner

Abstract

In his late work, Friedrich Dürrenmatt played with ideas of ‚whiteness‘ that were central to the Swiss self-image in the 20th century. The drama Porträt eines Planeten (1970), the novella Der Auftrag (1986), and the parable Die Virusepidemie in Südafrika (1989/94) provide examples of how Dürrenmatt dealt with such templates, problematized them literarily and made them recognisable as phantasms.

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